Tunde Kelani, affectionately known as TK, is not just a filmmaker but a true ambassador of Nigerian culture. With a career spanning over four decades, he has left an indelible mark on the Nigerian film industry, commonly referred to as Nollywood. Kelani’s journey from his early life in Abeokuta to his passion for literary adaptations and the founding of his production company, Mainframe Films and Television Productions, is a testament to his unwavering commitment to storytelling and the preservation of Nigerian heritage. In this comprehensive content, we delve into the remarkable life and career of Tunde Kelani, a cinematic visionary who continues to captivate audiences with his compelling narratives and rich cultural tapestry.
Tunde Kelani, also known as TK, was born in Lagos but at the age of five, he was sent to live with his grandparents in Abeokuta, Ogun State. This early exposure to the rich Yoruba culture and traditions laid the foundation for his future work in filmmaking. He attended the Oke-Ona Primary School in Ikija, Abeokuta, and later, he continued his education at Abeokuta Grammar School. During this time, his grandfather, who held the title of the Balogun of Ijaiye Kukudi, allowed Kelani to witness various aspects of Yoruba life, religion, literature, philosophy, and more. This immersion in Yoruba culture played a crucial role in shaping his cinematic endeavors.
Kelani’s early fascination with Yoruba literature and theatre began in his formative years. He had the privilege of witnessing some of the great Yoruba theatre classics during his secondary school days, including plays like “The Palm-Wine Drinkard,” “Oba Koso,” “Kurunmi,” and productions by artists like Ogunde. His interest in photography also started in his primary school days, and he continued to invest time and money into learning the craft. After completing his secondary education, he became an apprentice photographer and later trained at Western Nigeria Television (WNTV) before pursuing his passion for filmmaking at the London Film School.
In the 1970s, Tunde Kelani embarked on a career in media, working as a correspondent for both BBC TV and Reuters, and later in Nigerian TV. His assignments included covering events like the drought in Ethiopia and Zimbabwe’s journey to independence. Following his studies at the London Film School, he returned to Nigeria and co-produced his first film, “The Dilemma of Rev. Father Michael” (Idaamu Paadi Minkailu) with Adebayo Faleti and other collaborators.
Kelani’s expertise as a cinematographer was instrumental in several Nigerian 16mm feature films, such as “Anikura,” “Ogun Ajaye,” “Iya Ni Wura,” “Taxi Driver,” “Iwa,” and “Fopomoyo.” He also had a role as an assistant director and actor in the 1990 film “Mister Johnson,” which was the first American film shot on location in Nigeria, starring Pierce Brosnan and Maynard Eziashi, based on a 1939 novel by Joyce Cary.
Tunde Kelani’s love for reading, nurtured from a young age, paved the way for his passion for literary adaptations in filmmaking. He immersed himself in both Yoruba and English literature and developed a deep appreciation for authors such as D. O. Fagunwa, Amos Tutuola, Cyprian Ekwensi, Akinwunmi Ishola, Adebayo Faleti, Wale Ogunyemi, and Wole Soyinka. The relationship between literature and drama intrigued him, leading to the adoption of literary adaptations as a central theme in his work. He maintains a close connection with his favorite authors, often collaborating with them.
Many of his most successful films are literary adaptations, including “Koseegbe,” “Oleku,” “Thunderbolt” (Magun), “The White Handkerchief,” “The Narrow Path,” “Maami,” and “Dazzling Mirage.” This approach not only pays tribute to the books and their authors but also bridges the gap for an audience that reads less and less.
In 1991, Tunde Kelani founded his production company, Mainframe Films and Television Productions – Opomulero. This step allowed him to not only provide technical support but also produce his own films. Kelani’s filmmaking practice revolves around adaptations of books and plays for the cinema, celebrating writers and their works.
At Mainframe, he has produced a wide range of movies, including “Ti Oluwa Nile,” “Ayo Ni Mo Fe,” “Koseegbe,” “Oleku,” “Thunderbolt (Magun),” “Saworoide,” “Agogo Eewo,” “The Campus Queen,” “Abeni,” “Narrow Path,” “Arugba,” and “Maami.” His most recent work, “Dazzling Mirage,” is an adaptation from a novel by Olayinka Egbokhare and addresses the issue of sickle-cell disease, aiming to raise awareness and provide a better understanding of this condition. Through his films, Kelani continues to bring attention to Nigerian culture and societal issues.